Silhouette,
swell-bodied, and full-bodied styles assume their form through
various manufacturing techniques, including casting, machine
pressing, mold crafting, and freehand crafting. Although often
similar in appearance, they differ greatly in quality and price.
Bronze,
zinc, and even iron have historically been used to cast
weathervanes. Today, figures are mainly cast from aluminum—a
much lighter material. The process starts with a model carved of
wood or plastic. The model is embedded in very fine sand, creating
an impression. It is then removed and the cavity is filled with
molten metal. The cooled casting is cleaned, finished, and
painted. This method offers a much higher degree of detail than
hammered metal vanes. With the exception of custom pieces,
cast-aluminum weathervanes are commonly the least expensive and
short lived.
Although
the quality of American handmade pieces is greatly superior, the
pressed weathervanes being imported from Taiwan and India are very
affordable. They are manufactured by placing a thin sheet of
copper in a machine, which uses molds in the shape of a figure's
design to stamp out its parts. These parts, resembling Jell-O
molds, are electrically soldered together to complete the figure.
Be aware that their life span is limited due to poorly designed
bearing mechanisms and posts. They are available either polished
or with a pseudo-verdigris finish, are imported in huge
quantities, and are available almost everywhere weathervanes are
sold. There are many figures available, however custom designs are
not possible.
Contemporary
mold-crafted weathervanes are moderately priced and a great value.
They are produced by making cast-iron molds from carved wooden
figures. Copper sheets are carefully hand-hammered into these
molds to produce the parts, which are trimmed and soldered
together to form an accurate copy of the carving. The copper parts
display the texture of the molds. Selection of figures is limited
to the molds available. This method was used extensively during
the late-19th century, and the antique figures are now considered
fine examples of American folk art and are highly collectible,
often commanding thousands of dollars at antique shops and sales.
Freehand
sculpting without the use of molds or machines is a time-honored
craft displaying unequaled attention to quality and detail. Almost
anything can be immortalized in weathervane form using this
technique. Most freehand artists create their works in basement
studios, barns, and small shops. Armed with vision and quality
materials, the parts are meticulously fashioned. Once complete,
they are assembled and the vision takes form. Among the finest
weathervanes created in the world today, the freehand process
insures the quality and individuality of these pieces. Most of
them increase in value with age and many become family heirlooms.
They are sold through fine galleries, museums, and specialty
catalogs. The Artist's signature should be engraved on the figure
as a sign of authenticity. The weathervane should be supplied with
a brass or stainless-steel post and include a brass or bronze
compass point. Most artists will stand behind their work for life.
© 1997 David Ferro