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Gilding Weathervanes
This
page is dedicated to the gold leaf process that I, DAVID FERRO, use in
the production of my weathervanes. Gold is the most precious and
valuable of metals. It is used by the wealthy, the powerful, and the
spiritual alike. It has become
increasingly important throughout history to ordinary people as well.
Today gold is used for electrical connections in computers, given as
gifts, eaten as food, used for dentistry, woven into fabrics, and it
embellishes everything from books and furniture, to automobile hood
ornaments. Its value lies not only in its beauty but also in its rarity
and ability to withstand corrosion and tarnish. Almost every human being
is fascinated and lured by the glitter of gold!
This dense, soft metal can be beaten paper thin, so that it can conform
to almost any shape creating the illusion of solid gold. This use of
"gold leaf" , called gilding, dates back to 2000 BC in the
Andes of southern Peru, and further back to the ancient Egyptians who
beat gold between flat stones and used it to gild statues, mummy masks,
coffins, altars, and other ceremonial items. Later, gilding was used
extensively in the Renaissance, Baroque, and Rococo periods to adorn
items such as tables and picture frames. There have been few changes in
the process of beating gold over the last four hundred years. Although
it is still beaten by hand, a machine was invented in the 1920's that
faithfully reproduces the action of a hand-wielded hammer. A leaf of
gold measures from 2"-3" square and may be as thin as 0.0001
mm.
Gilding
a weathervane with this tissue-thin leaf is magical. It creates a warmth
and luster that is unachievable with other materials. It adds
distinction to a figure that may otherwise be overlooked. It transforms
the ordinary weathervane into the remarkable.
One
hundred years ago, when New England companies were producing hundreds of
weathervanes from cast iron molds, 99% of those vanes were gilt with
gold leaf. It was an integral part of the finished product. A verdigris
weathervane was seen then, as we would see a rusted automobile today.
However, it is a contemporary trend to leave the copper bare and allow
it to verdigris; which is now considered to have a classic appeal.
Shown
above are two of my handcrafted weathervanes. In the finest tradition of
my trade I have gilt my Angel Gabriel weathervane, a hollow copper
figure, with 23-1/2 karat gold leaf over the entire surface. My Gallo
de' Elegancia weathervane is an excellent example of my unique style...
I use gold leaf in small amounts to accent a figure's natural features.
This technique provides highlights without the cost of fully gilding a
piece. Because of its properties, gold remains bright outdoors for at
least 30 years. I offer the option of a gilded finish with most of my
weathervanes. I also restore weathervanes requiring a fresh coat of
leaf.
Gilding
is an art unto itself. An artists confidence begins with using the
finest tools and materials. He practices patience and methodology for
the best possible results. My gilding skills are the result of a short
apprenticeship with the well known Cape Cod woodcarver, Mr. Paul White,
and a course in gilding from the Rhode Island School of Design with John
Philibert of the Smithsonian. I have been gilding since 1995 and am a member of the Society of
Gilders.
Gold
leaf is manufactured in a wide range of colors and karats. Leaf composed
of 100% gold is rated 24 karat. To provide a variety of colors, copper
and silver is mixed with gold. Adding these metals slightly lowers the
karat value of the leaf but increases its strength and changes its
color. When copper is added gold assumes a warmer tone. When silver is
added, gold becomes pale. The amount of copper or silver in 23 Karat [or
better] gold is so low that it will not hinder its integrity or ability
to last outdoors for 30 years or more. Each manufacturer produces its
leaf with a different mix of metals creating different shades as well as
different thickness'. For my weathervanes I consistently use 23 karat or
better deep double gold from Germany or Italy. Though, not often
available, I prefer to use Russian gold leaf. I feel It is the warmest,
richest, and thickest leaf I have used. To my knowledge, I am a pioneer
in using Palladium to accent weathervanes. Palladium is a
silver-colored metal that does not tarnish as silver does. It allows me
to chrome the bumpers on a car weathervane or 'whiten' the spots on a
loon figure.

Go to CRAFTING Weathervanes Page
Weathervanes by
David Ferro - Bio and Portfolio
If you would like to learn
how to make your own weathervanes, David offers one class each year.
Please click here to learn
more in our Weathervanes Workshop area of the site.
For more
information on weathervanes or gold leaf and gilding visit your local
library or the following sites:
www.seppleaf.com
or
Ferro Weathervanes
Gilding Weathervanes Workshop
Ferro Weathervanes
CONTACT
INFORMATION
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2008 Ferro Weathervanes All Rights Reserved.
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